高俊宏 Kao JunHonn
《泡沫的消失》 Bubble
行動 / 錄像 / 裝置
台北 / 南投 / 宜蘭 Taipei / Nantou / Yilan
1999-2000
《泡沫的消失》是關於1997年的一個紙上計畫「一個作者的消失—從美好居到縱貫線」的延續。主要是針對當時自己創作中，一股纏繞不已、莫名的思慮：「自己身上的創作者是誰？」、「什麼是藝術的時空？」、「藝術的邊界在哪裡？」等問題。這些問題，後來轉化為一個表較具體的形象：球，或泡沫。1999年，我訂做了一顆球，即便如何地徒勞或者唐突，我還是將這顆中空的球體，暗示為所謂的「藝術」。這個計畫為《泡沫的消失》，分為陸地與海洋兩個階段進行，為期一年。
"Bubble" is about the continuation of a project on paper in 1998: "The disappearance of an author — from the beautiful residence to Western Trunk Line". It mainly targeted on the untangled and inexplicable thoughts in my creation at that time: "Who is the creator in me?", "What is the time and space of art?", "Where is the boundary of art?", and other questions. These puzzles were later transformed into a more concrete image: balls or bubbles.
In 1999, I made a hollow ball. No matter how futile or abrupt, I still suggested the hollow ball as the so-called "art." This one-year project is "Bubble", which is divided into two stages, land and sea drifts.
第一階段：陸地，1999
以三芝的八角屋別墅廢墟為基地，將球放在其中一棟的廢棄房屋。幾個月的期間，在球體內創作與生活，並進行了一場推往海邊的「散步」行動。最後，1999年的十二月最強的寒流來襲那天，將球載往合歡山頂「露營」，以此結束了第一階段的創作行動。
Stage 1: Land, 1999
This stage is a creative period centered on the "ball". I used the ruins of the octagonal house in Sanzhi as the base. I put the ball in one of the houses, lived and did some performances inside the ball, and "stroll" in the beach. Finally, on the day of the strongest cold wave in December 1999, I carried the ball to the top of Hehuan Mountain for "camping" to end the first stage "Bubble".
第二階段：海漂，2000
在陸地階段結束以後，我從宜蘭東澳的粉鳥林漁港租船出發，將球拖到東澳灣外海的洋面，任其漂流。同時，透過「翻轉」的概念，將第一階段球體內所拍攝的紀錄影像，投影在夜間海上的球體上，以作為對於「創作是什麼」的後設提問。
The second stage: sea drifts, 2000
After finishing the first stage of creation, I rented a boat and set off from Fenniaolin Fishing Harbor in Dongao, Yilan, and dragged the ball to the Pacific Ocean off Dongao Bay and let it drift. Meanwhile, through the concept of "reverse", the images taken in the first stage were projected onto the ball at night as a meta-question on the reality of creation.